《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? 　　The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. 　　The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. 　　By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

在捷克共和国，有一群女性在不知情或被强迫的情况下做了绝育手术，只因为他们罗姆人的身份。罗姆人，通常被外族称作吉普赛人，遍布世界各地，因其特殊的生活方式而受到歧视和迫害。由于在欧洲兴起的优生运动，共产主义期间的捷克共和国颁布法令，通过绝育来限制罗姆人的数量。而这种行为和歧视一直被延续至今，仍有许多罗姆女性表示被强迫做了绝育手术，但同时也有人宣称她们是为了拿到钱才同意绝育。为了反抗这种侵犯人权的行为，一些受害女性团结起来，在全世界范围内为罗姆女性的权益而奋斗。

This is a movie that's obviously aimed toward younger kids, who are no older than about 10. It reaches its target well, by having a likable and enjoyable simple story, suitable characters and some nice songs. 　　You can easily tell that this movie is meant for young kids also because of its animations. It uses simple shapes and bright simple colors and it doesn't make this one of the greatest animated, animated movies but the targeted audience will surely know to appreciate the animations and its simplicity, that makes this a fun cheerful movie to watch and provide the movie with a very light atmosphere. 　　The movie makes sure that it never becomes too scary or tense for the young ones. So that means that there are no real evil villains in it, or chases through the streets or over rooftops. It rather relies on the adventurous story of the one main character, who embarks on detective kind of mission, when a couple of upper-class thieves cross her path and no one seems to believe her. 　　Of course the story is hard to believe and its filled with many improbabilities but again, the movie its story perfectly connects to the imagination and the view on the world of young children. Guess that in the end the movie also tries to give a message but i'm not sure if this will come truly across to young children. There are better examples of animated movies and TV-series that send out messages. 　　The songs are really nice. It's no Disney of course but its certainly way better than with every other animated low budget production is the case. 　　The humor is good and fun. It's clean and simple and at times even greatly slapstick like. I'm sure this movie will get a couple of laughs out of young children. 　　Perfectly clean great fun for young children!

本片改编自1933年德国魏玛共和国副检察官约瑟夫·哈廷格的真实故事。 　　在被委以调查达豪集中营内三名男子死亡案件的任务时，哈廷格（Mark Strong饰）怀疑在卫兵拒绝合作的背后隐藏着更黑暗的真相。他与年轻的律师伊丽莎白·艾希霍恩（Paula Beer饰）以及法医毛里茨·弗拉姆合作，寻求真相。

这部纪录片是根据弗莱德·格林的作品《我们想要另一个世界：德国年轻人1900-2010》（Wir wollen eine andere Welt: Jugend in Deutschland 1900 – 2010），由导演Jan-Hinrik Drevs和两位演员安娜·玛利亚·穆埃和柯思亚·乌曼合作拍成。电影主要以相应历史时期真实人物的日记、信件、照片和录音为主线，有真实录像，有演员拍摄的重现场景，生动地重现了德国从上世纪初到新世纪年轻人的面貌。电影由NDR和WDR电视台联合出品，2014年4月在ARD播出

对瓦尔达过去影片内容的再剪辑

对瓦尔达过去影片内容的再剪辑

Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself. 　　DIRECTOR’S STATEMENT 　　What is the connection between aggression and sexuality? In the fourth grade of primary school me and my best buddies went to the school toilet and measured who had the biggest penis. We couldn’t agree on it so all three of us had a fist fight still having our penises out. Then came the 90’s, the war and all the violence and hate between former Yugoslavian countries. We were all kids and we didn’t know what was happening. But we grew up, and now it’s time to fuck.

Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.